7.11 The Main Event

by

Laura Carvajal
(thenanny@writeme.com)




COLD OPENING



FADE IN:

INT. MASTER BEDROOM - MIDDLE OF THE NIGHT

IT'S PITCH BLACK.  NOT ONE SOUND IS HEARD EXCEPT FOR THE GENTLE WIND OUTSIDE THE WINDOW AND FRAN AND MAXWELL'S QUIET BREATHING AS THEY SLEEP.  SUDDENLY THERE'S A LOUD THUD, THEN EVERYTHING'S QUIET AGAIN.  THE LIGHT ON FRAN'S SIDE IS TURNED ON, AND WE SEE HER CALMLY SITTING UP AND LOOKING OVER TO THE RIGHT SIDE OF THE BED, WHICH IS EMPTY, THE COVERS HANGING TO THE FLOOR ON THAT SIDE.

FRAN

I cannot believe it's been a year and a half and you still roll to your right.


MAXWELL (O.C.)

Ow...



FADE OUT.

END OF COLD OPENING




ACT ONE

SCENE ONE




FADE IN:

INT. KITCHEN - THE NEXT DAY

FRAN, SYLVIA AND VAL ARE SITTING AT THE BREAKFAST NOOK.  FRAN'S POURING TEA IN THEIR CUPS.

VAL

I cannot believe your grandmother!  Two years and she didn't push Sammy to set a date.


FRAN

You're telling me?  Someone in my family forgot they got proposed to!  It's a world gone mad!


SYLVIA

Meanwhile, where the hell is she? She's gotta start planning this thing if she really wants to get married this weekend.


FRAN

And what's with the rush all of a sudden?  You'd think if she waited this long already she would at least hold on a few more days and let us plan a good wedding.  What the hell are we gonna come up with in six days?


SYLVIA

What?  Six days is plenty of time!
 

FRAN

Yeah, ma, but I'm talking about a real wedding here, not just daddy's beer cans tied to their feet and the left over cake from your birthday party.

THERE'S A KNOCK ON THE DOOR.  FRAN GETS UP AND OPENS IT TO REVEAL YETTA.

SYLVIA

Ma!  Where have you been all day?  We need to talk to you.

YETTA

I went to the movies with Sammy.  They had a Chaplin marathon.


VAL

You took Sammy to a silent movie?


YETTA

I didn't want him to get distracted.


FRAN

Yetti, Yetti?  Over here, honey.  Hi.  Listen, we were just talking about the wedding and --


YETTA

You're getting married?!  Oh, mazel-tov darling!  I gotta say I was beginning to get a little worried about you.  (THEN) So, who you marrying? Don't tell me it's that hairy schlub from the bridal shop.  I don't know, Frannie...  I don't like Italian guys. (THEN SOTTO TO FRAN, RE: VAL)  Besides, I think he's got the hots for your kid sister here.

FRAN GIVES HER A CONFUSED LOOK AS SHE HELPS HER WITH
HER COAT AND THEY BOTH SIT AT THE TABLE.

FRAN

No Yetti, I'm married already, I meant --


YETTA

You are married?  Then what the hell are you planning a wedding for? (THEN, TO SYLVIA) What, one's not enough for you?!


FRAN/SYLVIA/VAL

It's your wedding, Yetta!


YETTA

Oh... can I bring Sammy?

THERE'S A LONG BEAT.  THE YOUNGER WOMEN STARE AT YETTA.

FRAN

Anywho...

FRAN TAKES EVERYONE'S PLATES AND WALKS OVER TO THE SINK.

VAL

But Fran, how are you going to find a place to host the wedding in such short notice?


SYLVIA

She's right.  There's no way we're gonna find a wedding planner, a caterer, a --


FRAN

What do we need with those fancy schmancy coordinators anyway?  They take all your money and meanwhile, you don't see one knish in the whole reception.  No, I say we do this ourselves.  Hey, I didn't work three years for the "hairy schlub" and walk away empty handed!


SYLVIA

(SOTTO) Oh sure, 'cause who needs those silk bows on the back of the chairs, toilet paper will do just fine!


FRAN

Fine, you come up with a better idea!  But don't come crying to me when it's Saturday night and all you got is your half eaten cake!


VAL

You know, Sylvia, I think Fran is right, you should plan this yourselves, there's no time to hire a wedding coordinator.


SYLVIA

Alright.  But at least let me take care of the invitations.


FRAN

Oh, sure Ma!  Yeah, that should cover your half of the work.

FRAN GRABS A NOTE PAD AND A PEN FROM THE KITCHEN
COUNTER AND GOES BACK TO THE TABLE IN FULL "WEDDING PLANNER" MODE.

FRAN (CONT'D)

Alright.  First, we gotta think about food.


VAL

Don't you need to find a place to host the wedding first?


FRAN/SYLVIA

No.


SYLVIA

Well, your sister is coming anyway. She can take care of the catering.


FRAN

(WHINING) But, Ma!  If she's doing the cookin' it means she'll be here all the time and --


SYLVIA

What, you wanna cough up a few thousand bucks for something your sister can do for free?!


FRAN

Free?  What free?!  This is Nay, ma!  She helps you with breakfast and the next day you get a bill in the mail!


SYLVIA

Well if she's thinking of charging us to cook for her grandmother, she's got another thing coming. (THEN) Now what else do we need?


FRAN

Well, Uncle Sidney is a Rabbi/Lawyer he should come in handy. (CHECK) We'll ask Cousin Sheila to decorate the place. (CHECK) Marcia can be in charge of bossing the waiters around. (CHECK)  Uncle Stanley --


VAL

Fran, you can't just count on bringing all these people, who knows if they'd even wanna come?


FRAN

What, have all these years as my friend taught you nothing?  What Fine is gonna turn down free food and a chance to squeeze their size eleven's in John Wayne's footprints?!


SYLVIA

Alright.  So do you know where you want to host this thing, or are you just gonna shove a few hundred chairs in the lobby of Yetta's retirement home?


FRAN

What, is that too small?


YETTA

Hey!  Doesn't anybody care what I think?


FRAN/SYLVIA

Oh, sure we do!/Of course, Ma!


YETTA

I think I'll take that area rug you have upstairs for my new apartment.  It matches the towels I took yesterday.

THEY ALL STARE AT YETTA FOR A BEAT.

VAL

Fran, if you're so concerned, why don't you just have the wedding here?!  I mean, it's a big house, you have a big back yard and you wouldn't have to pay a - (RE: FRAN PINCHING HER UNDER THE TABLE) oww!!


SYLVIA

(ECSTATIC) Oh, that's a wonderful idea!


FRAN

No, it's not! Hold it, Ma, Max won't like this one bit, besides --


SYLVIA

(NOT LISTENING) Oh, a wedding at the Sheffield Estate!  How classy!  Come on Ma, lets go dust off your old wedding gown.

SYLVIA GETS UP AND DRAGS YETTA WITH HER.  THEY HEAD OUT THE DOOR.

YETTA

Oh, I don't know, I think you'd have to lose another thirty pounds to fit into that.

SYLVIA AND YETTA EXIT.  FRAN STARES FURIOUSLY AT VAL WHO'S DOING HER BEST TO AVOID HER STARE.

FRAN

(CALMLY) You know, Val, next time you blow your nose, why don't you try keeping your brain (YELLING) inside ya head for a change!?

VAL SINKS IN HER CHAIR LOOKING MISERABLE AND STARTS SHYLY POKING THE PIECE OF CAKE IN FRONT OF HER.  FRAN QUICKLY PULLS IT AWAY AND STARTS EATING IT HERSELF.

FRAN

Gimmie that!



DISSOLVE TO:




ACT ONE

SCENE TWO


INT. GUEST HOUSE KITCHEN - MORNING, THE NEXT DAY

NILES IS GIVING BREAKFAST THE FINISHING TOUCHES.  C.C. ENTERS TALKING ON THE CORDLESS PHONE AND HEADS FOR THE FRIDGE.

C.C.

(INTO PHONE) What do you mean you don't know?!  They were in your care, you baboon!

AS SHE WALKS PAST NILES, WHO'S NOW VERY ENTERTAINED WATCHING C.C.  THROTTLE SOME POOR GUY OVER THE PHONE, SHE GIVES HIM A PECK ON THE LIPS AND KEEPS ON WALKING.

C.C. (CONT'D)

(TO NILES) Hi baby. (THEN, INTO PHONE) No, you listen, pal!  If those lights aren't at the stage this afternoon I swear the next thing you'll be gripping will be your groin!

C.C. TURNS THE PHONE OFF AND SETS IT ON THE COUNTER.  SHE THEN GRABS A PINEAPPLE OUT OF THE FRIDGE AND SETS IT ON THE ISLAND NEXT TO NILES' DELICATE WORK.

C.C. (CONT'D)

How fast can you make me a pineapple juice?


NILES

Well, that depends.  You want the thorns in it for extra flavor? (THEN)  You're not actually serious, are you?


C.C.

Yes, why?


NILES

Well, I just spent the past thirty minutes preparing that kiwi juice you were craving when you woke up!


C.C.

Well, kiwi won't cut it anymore pal, I want pineapple.

NILES SIGHS, GETS A BIG KNIFE AND STARTS WORKING ON THE PINEAPPLE.  C.C. PULLS UP A CHAIR AND STARTS EATING HER BREAKFAST, SPORADICALLY DIGGING INTO NILES' PLATE WHICH IS CURRENTLY UNATTENDED.

NILES

So who was that poor soul on the phone getting his morning dose of Babcock fear?


C.C.

Ah, just one of the idiots at the studio.  Some lights needed to be replaced and he can't find the new ones.  Of course Maxwell was supposed to have taken care of that yesterday, but oh no, the man's too busy being a damn zombie! (THEN) Ew!  Niles, what was in this omelet?


NILES

Do you mean the one that you just shoved half of into your mouth and swallowed instantly? (THEN) It's cottage cheese, we ran out of munster.


C.C.

Actually, Niles, it's yummy!

SHE REPEATS THE PROCESS WITH THE REMAINING HALF, THEN PULLS NILES' PLATE TOWARDS HER AND STARTS EATING IT TOO.

NILES

You know, if I were you, I wouldn't be so hard on Mr. Sheffield this week.  You know it's hard to anticipate what to expect from him around the late Mrs. Sheffield's birthday.


C.C.

(MOUTHFUL) Well I don't give a damn, we got work to do.  Besides, what the hell is he doing still caring about the toothpick's birthday anyway?  I thought he was over all that crap already.


NILES

Well, I suppose this being the first time they're not in New York when the date comes might shake him a tad more than usual.


C.C.

Yeah, yeah.  Hand me that glass of water would you?  I'm choking here!

AS SOON AS HE DOES SHE GULPS HALF OF IT DOWN AND CONTINUES TO EAT WHAT LITTLE REMAINS OF NILES' BREAKFAST.  HE FINISHES WITH THE PINEAPPLE AND WALKS OVER TO THE COUNTER TO PUT THE PIECES IN THE NOISY BLENDER.

NILES

Besides, you should remember what the doctor said, "no stress"!

HE COMES BACK WITH THE JUICE, SETS A GLASS NEXT TO HER AND STARTS POURING.
C.C.

Whatever, I'm off.

SHE GETS UP, TAKES HER PURSE AND CHECKS HER MAKE-UP.
NILES

What about the juice?!


C.C.

Not in the mood (THEN) This green stuff looks good though.

AS NILES GROANS IN PAIN, SHE GULPS DOWN THE ENTIRE GLASS OF ONCE FORGOTTEN KIWI JUICE.
C.C.

See you later, lover.

SHE HEADS OUT THE KITCHEN, READY TO GO TO WORK.
C.C. (CONT'D)

And make sure you eat something, you're looking skinnier every day.


NILES

(SOTTO) Gee, I wonder why!

C.C. EXITS.  NILES OPENS THE REFRIGERATOR AND TAKES OUT AN APPLE.  AS HE'S ABOUT TO BITE INTO IT C.C. REENTERS AND TAKES IT FROM HIM.
C.C.

(LEAVING AGAIN) Mid-morning snack! Ciao!

C.C. EXITS.  NILES REACTS AS WE...


CUT TO:




ACT ONE

SCENE THREE



INT. LIVING ROOM - LATER THAT DAY

SAMMY AND YETTA ARE SITTING ON THE SOFA GOING THROUGH WEDDING MAGAZINES.  C.C. ENTERS FROM THE DIRECTION OF THE OFFICE WITH MAXWELL RIGHT BEHIND HER.

C.C.

So what do you think of the network's idea?  Should we do this Christmas special thing or not?

MAXWELL IS PRETENDING TO LISTEN, BUT HIS THOUGHTS SEEM TO BE SOMEWHERE ELSE.  HE SUDDENLY REALIZES C.C.'S WAITING FOR AN ANSWER.
MAXWELL

Oh, I'm sorry, C.C., what were you saying?


C.C.

Snap out of it Maxwell!  You've been like this all morning!  Did you even listen to a word I said in the past two hours? - Oh, never mind, I'll take care of this myself.

A FUMING C.C. HEADS FOR THE DOUBLE DOORS WHERE FRAN IS JUST COMING IN.

FRAN

Oh, hi Ms. Babcock.  I was just talking to Niles, he--

C.C. DOESN'T PAY ATTENTION TO FRAN AND KEEPS WALKING LIKE SHE'S NOT EVEN THERE AND SHE EXITS.

FRAN (CONT'D)

(SOTTO) Boy, somebody's not wearing their hormones well today. (WALKING TOWARDS MAX).  Some women can be such yo-yo's when they hit that third trimester. (WRAPPING HER ARMS AROUND HIM) I bet you're glad that didn't happen to me!

THEY START TO KISS, BUT SOON BREAK THEIR EMBRACE REMEMBERING THERE'S TWO MORE PEOPLE IN THE ROOM.

YETTA

I'm glad you're both here, Sammy and I have something we want to say to you.


MAXWELL

What is it Yetta?

FRAN IS SUDDENLY NERVOUS, THINKING YETTA MIGHT SAY TOO MUCH.

SAMMY

We wanna thank you for your hospitality --


FRAN

(INTERRUPTING, VERY QUICKLY)  And you're very welcome my darlings.  (TRYING TO GET THEM OFF THE COUCH) Now, why don't you two go to the kitchen and tell one of the kids to make you a prune shake.


MAXWELL

Now, Fran, let them finish.


YETTA

It was very nice of you to find us a place for our wedding. (TO MAXWELL) We thought we were gonna have to have it at the home, but Frannie here kindly offered your house instead. (GETTING UP AND PINCHING FRAN'S CHEEK)  Isn't she something?


MAXWELL

(CONTAINING HIS ANGER) Oh, yes, she is something alright.  (THEN, TO FRAN)  Uh, Fran, darling, can I see you in my office for a second?


FRAN

(SLOWLY BACKING AWAY)  Uh, well, honey, you see, I'd love to, but, um, (QUICKLY) Gracie needs me in the kitchen!  Yeah, big mess in there.  There's a sock stuck in the garbage disposal, you think it might be your --


MAXWELL

Miss Fine!!


FRAN

Oh, boy, here we go.

FRAN HEADS FOR THE OFFICE.

MAXWELL

(TO SAMMY AND YETTA)  Would you excuse us a moment?  (SOTTO TO FRAN) Your granddaughter suddenly has an urge to be spanked!


FRAN

Oo, and here I thought he was upset!

YETTA

Yeah, That must be hereditary.

MAXWELL

You bloody well know what I mean, get in there!


FRAN

Oh, alright.

FRAN AND MAX EXIT TOWARDS THE LIBRARY.



RESET TO:




INT. LIBRARY - CONTINUOUS

MAXWELL WALKS IN, HEADED FOR THE OFFICE, FOLLOWED BY FRAN.

MAXWELL

Are you out of your bloody mind?!


FRAN

I swear, it wasn't my idea!

THEY EXIT INTO THE OFFICE.


RESET TO:




INT. OFFICE - CONTINUOUS

FRAN AND MAX STORM INTO THE OFFICE.

MAXWELL

How could you let this happen?!  I have people from the network coming this weekend, and I honestly doubt they'll be amused by a mob of Fines in my back yard dancing the hava nagila!


FRAN

Honey, I tried to stop them, but Ma was already squeezin' Yetta into a 200-year-old knock-off before I could tell her I needed to ask you first. - And when did that become your back yard?


MAXWELL

Don't even --


FRAN

Oh, alright!  You tell Yetta she can't have the wedding of her dreams at our house.  Go ahead tell her she needs to find herself another place in less than a week.


MAX WALKS OVER TO HIS CHAIR AS HE LETS OUT A LOUD SIGH AND RUBS HIS TEMPLES.  FRAN FOLLOWS.

FRAN

Besides, sweetie, I'll take care of everything, you won't even notice they're here!


MAXWELL

I won't even notice?!  Fran, I can hear your parents yelling at each other from the curb!

FRAN SITS ON MAXWELL'S LAP AND RUNS HER HANDS THROUGH HIS HAIR.

FRAN

Trust me, honey, it'll be alright.

SHE LOOKS AT HIM TENDERLY FOR A LONG BEAT.  HE LETS OUT ANOTHER SIGH.

MAXWELL

Is it black tie, or can I just borrow one of your father's powder blue bermuda shorts?

A TIRED SMILE APPEARS ON HIS FACE, MAKING FRAN SQUEAL FOR JOY.

FRAN

Oh, honey, have I ever told you you're the best husband any woman could ask for?


MAXWELL

Yeah, well just keep that in mind next time two babies need a parent to feed them and sing them back to sleep in the middle of the night, and your adorable husband is exhausted after a day of dealing with "Hollywood's most annoying".

SHE LOOKS AT HIM LOVINGLY.

FRAN

I love you so much. (BEAT)  Meanwhile, and don't take this the wrong way, I mean sitting on your lap beats any overstuffed couch in the world, but... shouldn't you be at the studio like... right about now?


MAXWELL

Uh... C.C.'s taking care of things today.


FRAN

(ONTO HIM) Uh-huh... and since when do you let that easily-ignitable partner of yours handle the network run throughs unattended?

MAXWELL THINKS A BEAT, BUSTED.

MAXWELL

When did you get so smart?  (THEN) I just didn't feel like going today.


FRAN

(SUDDENLY CONCERNED) What's the matter, honey, you sick?


MAXWELL

No, I'm alright, really, I just felt like staying in today, that's all.


FRAN

Uh-huh, yeah, and Jonah got a rash on his tushy today just 'cause he felt like being naked. (BEAT) Well actually he did, but that's besides the point. (THEN) Come on, what's that look on your face about?

THEY BOTH GET UP.  MAX WANDERS OVER TO THE LOVESEAT AND FRAN FOLLOWS CLOSE BEHIND.

MAXWELL

Well, I guess all this... change lately is finally beginning to catch up to me...


FRAN

Oh, you mean the cold floor in the bathroom now that Yetta took our rug?


MAXWELL

What rug?


FRAN

Nothing?


MAXWELL

No Fran, I mean the big change.  This new life, all these new responsibilities.  I don't know it all seems so... confusing sometimes.

FRAN SITS NEXT TO HIM, LISTENING TO HIS EVERY WORD, HER HAND ON HIS SHOULDER.

FRAN

I was beginning to wonder why this hadn't come up sooner...


MAXWELL

(SIGH) I guess the schedule out here is so hectic you hardly have time to think much at all. (THEN)  You know, last night I was walking around the lot after the taping... and I felt so... empty... (BACK TO HIS OLD SELF)  It-it's silly, really --


FRAN

No, honey, it's not silly.  Look, there have been moments when I've felt the same way too, (SOTTO) although Ma keeps blaming it on extended post-partum depression! (THEN) Change can be a little scary sometimes, and I gotta say I'm very proud of you for not passing on this opportunity life threw at you.  The old Mr. Sheffield would have just ducked at the mere thought of a change of this magnitude, but look at you!  You are dealing with it like a pro! (SHE SMILES) Am I right or am I right?


MAXWELL

Well, you do know who I owe this newfound courage to... But still, I can't help feeling confused sometimes.  It's like the dust is finally settling after our move out here and I'm beginning to miss... well lots of things.  New York itself!  I lived thirty years in that blasted town --


FRAN

(TRYING TO CHEER HIM UP) And now you're in the middle of the desert where people wear sneakers with no socks. I know what you mean.  Hey, I lived in New York for thirty years too, ya know!


MAXWELL

Ah, right, I forgot you were born six. (WINK).


FRAN

I wouldn't even think of going there if I were you, mister!

THEY BOTH LAUGH, THEN LOOK AT EACH OTHER FOR A BEAT. THEY KISS.

FRAN (CONT'D)

But staying home avoiding your responsibilities is not gonna do you any good either.  Come on, it's still early, I'll walk you to the car.  You still have time to keep C.C. from killing a couple of network execs.


MAXWELL

(TRYING TO GET OUT OF IT) Well actually I was going to offer to take you down to Hollywood so you could see the Walk of Fame.  You've been putting it off for months!


FRAN

Oh, honey, I wish I could, but I have a lot of work to do with Yetta's wedding coming up and --


MAXWELL (CONT'D)

You could take pictures of the stars of all those celebrities...

FRAN THINKS A BEAT.

MAXWELL (CONT'D)

(SMILING MISCHIEVOUSLY)  I'll let you bring some chalk so you can draw your own star on the empty tile next to Lucy's --


FRAN

(QUICKLY GETTING UP)  Ok, lets go.

FRAN DASHES OUT OF THE OFFICE AND MAXWELL FOLLOWS HER, SMILING TO HIMSELF, AS WE...



DISSOLVE TO:




ACT ONE

SCENE FOUR



INT. FAMILY ROOM - ANOTHER DAY

VAL IS SITTING ON THE COUCH GOING THROUGH SOME BOXES, SURROUNDED BY WEDDING DECORATIONS.  FRAN'S PACING THE FAMILY ROOM AS SHE READS OFF HER WEDDING PLANNER NOTEBOOK.

FRAN

Well, still two days left and we got forty-one RSVPs! (GLOATING) Not bad, not bad.


VAL

Wow, Fran, that's really great!  And when are the people from New York flying in?


FRAN

Well, so far, (OFF LIST) Sammy's relatives arrive on Friday, and most of the Fines get here on Saturday.  Cousin Ira, Marcia, and Jack get in tonight, --

FRAN IS INTERRUPTED BY NADINE WHO ENTERS THE ROOM.

NADINE

(TO FRAN) Hello angel! 


FRAN

(ANNOYED, CONTINUES) ...Nay got here this morning...

NADINE WALKS TOWARDS FRAN.

NADINE

Well, this place is fantastic!  Who would have thought you would be the one to end up marrying a millionaire and living in a mansion in Beverly Hills!  I tell ya, it is beyond me!


SHEILA (O.C.)

(YELLING) Where the hell are the chairs?!


FRAN

... Sheila arrived last night...


NADINE

I sent the girls upstairs to play with your husband's kid.  Meanwhile, that girl is getting skinnier every day!


FRAN

She only looks skinny next to your girls, Nay.


VAL

Where's Barry?


NADINE

He's in the bathroom.  That American Airlines menu gives him terrible gas, he's all bloated and --


FRAN

Please, spare us the details! (THEN)  Meanwhile, did you talk to Sheila?  She's setting up the tables out in the back yard and she wants to know how many you're gonna need.


NADINE

Need for what?

SYLVIA ENTERS AND JOINS THEM.

FRAN

(SARCASTICALLY) For the flamenco dancers, Nay!  What do you mean "for what"?  For the food!


SHEILA (O.C.)

I'm waiting out here!


NADINE

(YELLING) Coming!

NADINE EXITS.

FRAN

(SOTTO) Sheesh, those two! (THEN) Ma, did ya call the flower guy?


SYLVIA

Yeah, he's coming on Sunday.


FRAN

And where are all the chairs?


SYLVIA

They're bringing them tomorrow!  Would you relax?  You look like you need a valium over there.

THE DOORBELL RINGS.

SHEILA (O.C.)

(YELLING) That's the rest of the tables!


FRAN

Val, would you go?

VAL AND SYLVIA EXIT AS THE DOOR CONNECTING THE GARAGE TO THE KITCHEN OPENS.  IN COMES A VERY GOOD LOOKING KID ABOUT BRIGHTON'S AGE, CARRYING FILM EQUIPMENT. BRIGHTON COMES IN BEHIND HIM.

BRIGHTON

Wait up Brian, this stuff is heavy.

THEY SET THEIR EQUIPMENT DOWN.  BRIAN WALKS OVER TO GRACE WHO'S JUST ENTERING FROM THE KITCHEN.

BRIAN

Wow!  And who is this lovely creature?  Hi there, I'm Brian, how you doing?  Pleased to meet you.

HE EXTENDS HIS HAND AND GRACE SHAKES IT.

GRACE

Grace Sheffield. Just fine.  Not interested.


BRIGHTON

Alright, back off, Fabio.  That's my kid sister.  Keep it up and we'll be shooting this film on your retina!

BRIAN LETS GO OF GRACIE'S HAND AS HE NOTICES FRAN IN THE FAMILY ROOM AND STARTS WALKING TOWARDS HER.

BRIAN

Ah... and this must be the source of all this beauty! Mrs. Sheffield I presume?  Brian Davidow, at your service.

BRIAN KISSES HER HAND.

FRAN

(AMUSED) Nice to meet you, Brian.


BRIGHTON

(ANNOYED) Hey Brian, how about bringing "your service" over here and helping me out with these lights?  We need to set them up in the garden before it gets dark.


FRAN

Well, actually the garden's a very busy area right now. B honey, we're setting up for grandma Yetta's wedding out there.  You think you could do your project someplace else?


BRIAN

Oh, I'm sure we could --


BRIGHTON

(SNAPPING AT FRAN) No!

THEY ALL STARE AT HIM, THE ATMOSPHERE SUDDENLY TENSE.

BRIGHTON (CONT'D)

Man, what do I have to do to get some work done around here?!


BRIAN

Chill dude, we can do it someplace else.


BRIGHTON

No we cannot!


FRAN

What's the matter, B.?


BRIGHTON

Well, lets see,  I'm trying to get some work done and suddenly I'm banned from my own garden!  (TO BRIAN) Set the lights out there, I'll get the camera.

BRIGHTON HEADS OUT TAKING THE CAMERA WITH HIM.  BRIAN PICKS UP THE LIGHTS AND THE REST OF THE EQUIPMENT.

FRAN

(CALLING) B.


BRIGHTON

(YELLING) Can't you see I'm busy?!  Jeez!


BRIAN

Don't yell at your mother, man.


BRIGHTON

She's not my mother!


GRACE

Brighton!

BRIGHTON STORMS OUT GRACE FOLLOWS HIM. FRAN STANDS IN PLACE TRYING TO MAKE SENSE OF WHAT'S HAPPENING. BRIAN IS NERVOUS, UNSURE WHAT TO DO.

BRIAN

I'm sorry, ma'am.  Um, I'll make sure we don't interrupt anything out there.  Sorry.  Oh, and, happy birthday.


FRAN

What?


BRIAN

Oh... I-I thought Brighton said it was your birthday today. (THEN) Oh he actually meant - Oh, never mind.  Sorry.

BRIAN RUSHES OUT, EMBARRASSED.  THE EXPRESSION IN FRAN'S FACE SUDDENLY CHANGES, ALL MAKING SENSE TO HER NOW. SHE BRINGS HER HAND TO HER FOREHEAD.

FRAN

(SOTTO) Oh God...



FADE OUT.

END OF ACT ONE



Go On to Act Two



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