7.27 Give My Regards to Broadway

by

Kate The Dreamer
(Dreamkate1@aol.com)




COLD OPENING



FADE IN:

INT: SHEFFIELD KITCHEN - LATE AFTERNOON

(Fran, Maxwell, Niles, Grace, Jonah, Eve, Emily)

GRACE ENTERS KITCHEN. PLACES SCHOOL BAG ON KITCHEN TABLE.

GRACE

Fran? Dad?


BRIGHTON ENTERS, TROTTING DOWN BACK STAIRS

GRACE LOOKS DIRECTLY AT BRIGHTON THEN TURNS DOWNSTAGE

GRACE

Anyone?


MAXWELL, FRAN AND NILES ENTER. EACH HAS A BABY IN THEIR ARMS

BRIGHTON

(MOTIONING TO THE ENTOURAGE) Look, it's babies on parade.


GRABBING A COOKIE FROM THE JAR BRIGHTON EXITS

FRAN

(TO GRACE) What is it sweetie?

GRACE

(EXCITED) The theatre club has finally decided what performance to do for the spring play!


MAXWELL TAKES GRACE'S COAT AND HABITUALLY HANDS IT TO NILES.

NILES ROLLS HIS EYES AND PUTS THE COAT ON THE BACK OF A CHAIR.

NILES THEN GOES BACK TOWARDS THE FRIDGE AND EXAMINES THE CONTENTS FOR POSSIBLE DINNER COMBINATIONS.

MAXWELL

(PLACING EVE IN A HIGH CHAIR) What did the club decide on?

GRACE

(POURING JUICE) Well, we kept fighting over what to do. There are so many great shows out there. Finally we decided on a musical review.

MAXWELL

I remember when C.C. and I used to argue over what plays to produce.

GRACE

How did you guys settle it?

MAXWELL

Usually through tears. (STRUGGLING TO OPEN JAR OF BABY FOOD)

FRAN

Ms. Babcock cried?

MAXWELL

No, I'd cry until she'd let my ear go (RUBS EAR) Her nails are sharp.

GRACE

Well, we had a vote. Actually originally they wanted to do a salute to Andrew Lloyd Webber (BEAT)


MAXWELL FROWNS

GRACE (CONT'D)

But I talked them out of it.

MAXWELL

(BEAMING) That's my girl! (HITS JAR ON TABLE)

FRAN

(HANDING JONAH TO GRACE.) So what part are you gonna try out for Gracie?


FRAN TAKES JAR FROM MAXWELL EFFORTLESSLY OPENS IT. MAXWELL SHOOTS HER A LOOK BEFORE STARTING TO FEED EVE.

GRACE

Oh gosh, I have no idea. It's so hard to be self critical. I guess I'll just practice all the parts and let our drama teacher Mr. Posner decide. Dad, can I borrow your sheet music?

MAXWELL

Sure sweetheart. Niles, would you show her where they are?


GRACE EXITS WITH JONAH, NILES AND EMILY

MAXWELL (CONT'D)

It's hard to believe just seven short years ago Grace was in therapy for being an extreme introvert. And now look at us, I'm doing Television and she's inherited my love of the theatre.

FRAN

Hey, a lot can happen in seven years. Thank goodness some things stay the same.

MAXWELL

Like what?

FRAN

For one, I'm still 29.


FRAN PULLS MAX IN BY HIS TIE FOR A KISS

FADE OUT.

END COLD OPENING





This episode is brought to you by...




ACT ONE

SCENE ONE

FADE IN:

INT. LIVING ROOM - THE NEXT AFTERNOON

(Fran, C.C., Val, Emily, Niles, Maxwell, Jonah, Eve,)

FRAN AND VAL ARE DRINKING TEA. JONAH AND EVE ARE IN A PLAYPEN NEARBY. C.C. IS HOLDING EMILY. HER ATTEMPT AT BREAST-FEEDING IS CLUMSY AS SHE HOLDS A BLANKET TO HER CHEST AT AN EFFORT AT DIGNITY.

FRAN

You know, I wish I had been more active in the drama club when we were in High School. But I was just so busy with other extra curriculars, remember Val?


GRACE ENTERS

GRACE

(SINGING AND PRANCING ACROSS THE ROOM) Beauty School drop-out, no graduation day for you...

FRAN

(BEAMING RE: GRACE) Good girl, (TO VAL) Isn't she something? (TO GRACE) Honey, would you go get my copy of 'The First Five Months' ?


GRACE EXITS

C.C.

(FRUSTRATED) I feel ridiculous. She just won't eat. Who made up this stupid feeding rule? We have to carry it, we have to feed it? What do the men have to do?

VAL

(SHOCKED) Ms. Babcock, you mean you don't know?


C.C. SHOOTS VAL A LOOK

C.C.

(ROLLS EYES) My chest is swelled up, I have a tiny person in my arms who cries every five minutes and yet refuses eat. Don't worry Val, I remember who to blame.


NILES ENTERS

C.C. (CONT'D)

Speak of the devil.

NILES

How's it going?

C.C.

Not well, I'm offering it, but she won't take it!

NILES

(SMIRKS) Some things you just can't even give away.


C.C. GLARES AT NILES WHO LEANS OVER AND GIVES HER A KISS. HE THEN KISSES THE BABY ON THE HEAD

NILES (CONT'D)

Kidding.

C.C.

(IMITATING NILES) Funny, funny, funny.

FRAN

Your wife's having a bit of a feeding problem with the Littlest Babcock.

NILES

What's wrong?


C.C. GESTURES TO HER CHEST AND THE BABY

GRACE REAPPEARS

GRACE

(SINGING) The hills are alive...

FRAN

(INTERRUPTING THE SINGING) Gracie sweetheart, that's really wonderful, but can you practice upstairs?


GRACE EXITS

NILES

What can I do to help?

C.C.

(DEAD PAN) Grow breasts.


NILES LOOKS DOWN AT HIS CHEST

NILES

(THEN) What's your second choice?

C.C.

Um...(BEAT) pie?

NILES

It's cooling in our kitchen


MAXWELL ENTERS,

NILES AND C.C. EXIT WITH EMILY

MAXWELL

(RE: GRACE'S SINGING) She's really good isn't she? You should see her room, she has sheet music everywhere. Grease, The Sound of Music, Guys & Dolls (BEAT) Makes me sort of miss New York.

FRAN

Aw Honey (PICKING UP EVE) I know. I sorta do too. But we're not doing so bad here in La La land.

MAXWELL

No, we're not.


THEY KISS

NILES RE-ENTERS

NILES

Fran, I was thinking of taking Emmy to the park so that C.C. can get some rest. Do you want to come along?


MAXWELL HAS A FAR OFF LOOK IN HIS EYES

FRAN

Sure Niles, let me just pack a diaper bag. (TO MAX, OFF HIS LOOK) You gonna be okay?

MAXWELL

(SNAPPING OUT OF HIS DAZE) Oh, yes, sure. By all means Darling, go to the park with Niles. I have a ton of paperwork to get through anyway.



FRAN KISSES MAXWELL ON THE CHEEK. MAXWELL KISSES EVE ATOP HER HEAD.

FRAN

We should be back around four.


MAXWELL EXITS TOWARDS HIS OFFICE, FRAN HANDS EVE TO NILES, PICKS UP JONAH AND FOLLOWS NILES BACK OUT.

DISSOLVE TO:




ACT ONE

SCENE TWO

EXT: PLAYGROUND - LATER THAT DAY

(Fran, Niles, Eve, Jonah, Emily, Peter Franklin)

NILES AND FRAN ARE SITTING ON A PARK BENCH. A BABY CARRIAGE IS TO THE LEFT OF NILES. HE IS USING HIS FOOT TO ROCK THE CARRIAGE BACK AND FORTH.

FRAN

(CALLS OFF) Evie sweetie, we don't put sand in our mouths.

NILES

So what happened was Hope got bitten by a poisonous spider and now Stephano is nursing her back to health.

FRAN

(SHOCKED) Noo, really? What about all he's done to Hope's family?

NILES

She's stuck with him in the dungeon, what choice does she have. Besides, she has her unborn child to think about.

FRAN

(NODS) True (THEN) Ooh! (SPOTTING VENDOR) , I'm gonna go get a salted pretzel. Watch the twins would ya?


NILES NODS. FRAN WALKS OFF CAMERA.

SFX: BABY CRYING

NILES PICKS BABY EMILY UP AND STARTS TO ROCK HER. THE BABY CONTINUES TO CRY.

A MAN ENTERS FROM THE LEFT AND SITS DOWN ON THE BENCH ADJACENT TO NILES. HE OPENS A VARIETY MAGAZINE AND SEEMS TO BE ENGROSSED IN HIS READING AS HIS FACE DISSAPEARS BEHIND THE MAGAZINE PAGES.

NILES CHECKS EMILY'S DIAPER, OFFERS HER A BOTTLE, SHE STILL CRIES SO HE ROCKS BACK AND FORTH

NILES

What's wrong little one? (SHIFTS ROCKING) (BEAT) I know what'll cheer you up. (SINGING) You are my sunshine, my only sunshine, you make me happy, when skies are grey...


JUST THEN THE MAN PEERS OVER THE MAGAZINE AT THE DIRECTION OF THIS WONDERFUL VOICE HE HAS JUST HEARD.

NILES (CONT'D)

(SINGING) You never know dear, how much I love you, please don't take my sunshine away.


EMILY BEGINS TO CALM DOWN AS NILES ROCKS BACK AND FORTH HUMMING. THE MAN RISES FROM HIS SEAT AND APPROACHES NILES.

PETER FRANKLIN

I'm sorry but I couldn't help overhearing your singing...

NILES

Sorry, I'll try to keep my voice down...

PETER FRANKLIN

No, no, allow me to introduce myself. (EXTENDS HAND) My name is Peter Franklin.


NILES SHIFTS THE BABY AND SHAKES HIS HAND. PETER FRANKLIN REACHES INTO HIS BREAST POCKET AND PRESENTS NILES WITH A BUISNESS CARD.

NILES

Oh wait (BEAT) You're Peter Franklin the Broadway Producer.

PETER FRANKLIN

That's right. I'm surprised you know me, people in LA usually don't know you unless you do film or television.

NILES

I'm from New York. We just moved out here.

PETER FRANKLIN

Ah, that explains it. Listen I'm impressed by your voice. You're really talented.

NILES

(BLUSHING) Well, I don't know about that...

PETER FRANKLIN

(STEAM-ROLLING) Nonsense, I know talent when I hear it. In fact, I'm producing a new play back in New York. Have you heard of Hirson?

NILES

Um...

PETER FRANKLIN

I would love to cast you as the father in his new production. I will of course pay for your flight and your wife's.

NILES

(SHOCKED) I'm afraid I'm at a loss for words.

PETER FRANKLIN

Try "Sure Peter."

NILES

Mr. Franklin...

PETER FRANKLIN

Call me Peter. Listen, what's your name?

NILES

My name is Niles...

PETER FRANKLIN

(INTERRUPTING) Your last name doesn't matter, we'll probably have to change it anyway. What do you say, do we have a deal?

NILES

I don't think I can...

PETER FRANKLIN

(HOLDING UP HIS HAND IN PROTEST) I'll be in California for another two days. My hotel number is on the back of my card. Think it over.


PETER FRANKLIN WALKS AWAY. FRAN REAPPEARS.

FRAN

(BITING INTO A PRETZEL) Who was that?

NILES

(OFF IN SPACE, STILL IN A BIT OF SHOCK) Oh, nobody. (LOOKS AT WATCH) We should start heading home.


FADE OUT.



ACT ONE

SCENE THREE

INT: BEVERLY HILLS HIGH AUDITORIUM- THE NEXT AFTERNOON

(Fran, Gracie, Mr. Posner, other drama club members)

KIDS ARE ALL OVER THE PLACE. HANGING UP SETS, PRACTICING LINES, CHATTING, ETC. GRACE IS TALKING WITH MR. POSNER.

FRAN ENTERS. SHE STOPS AND TALKS TO A GIRL BY THE DOOR WHO POINTS TO WHERE GRACE IS.

FRAN

Gracie?

GRACE

(TURNING AROUND) Oh hi, I'm ready to go.

FRAN

(GLANCING AROUND) Gee everything looks great. I don't think I've been here since we visited in September.

MR. POSNER

Hello, you must be Grace's mother. (HANDSHAKE) Now I see where Grace gets her classic features.


GRACE'S FACE FALLS.

GRACE

(POKER-FACED) Fran is my step-mother.

MR. POSNER

Oh...well...

FRAN

(SHOCKED AT GRACE'S CURTNESS) Oh yeah (BEAT) Of course I'm way too young to be her mother. (NERVOUS LAUGH)

MR. POSNER

(RE: FRAN'S LAUGHTER) Oh yes, of course (LAUGHS) A pleasure to meet you Mrs. Sheffield. Grace, I'll see you at tomorrow's rehearsal.


MR. POSNER WALKS OVER TO ANOTHER GROUP OF STUDENTS. GRACE STARTS TO HEAD TOWARDS THE DOOR. FRAN PUTS OUT HER HAND TO BLOCK.

FRAN

Woah nellie, where the heck did that come from?


GRACE STARES DOWN AT HER FEET. FRAN PUTS HER HAND ON GRACE'S CHIN AND PULLS HER FOCUS UP.

FRAN (CONT'D)

You have your father's stubborn way of holding in your emotions. (BEAT) Well, you'll tell me when you're ready. Right now we have to get home so I can relieve your father on baby detail.


FADE OUT.

END OF ACT ONE





ACT TWO

SCENE ONE

INT- THE GUEST HOUSE, NILES & C.C.'S BEDROOM- THAT EVENING

(Niles, C.C.)

C.C. WALKS ACROSS THE ROOM FROM THE BATHROOM AND COLLAPSES FACE FIRST ON TO THE BED. THE ROOM IS QUIET.

NILES ENTERS

CC LIFTS HER HEAD UP FROM THE MATRESS

C.C.

(WHINING) I don't understand how Nanny Fine can deal with two of these things at once. One is plenty for me.

NILES

Thing?

C.C.

You know the baby (REALIZING) Emily. (BEAT) Niles, you know I love her, it's just...hell, it took us six years for you to call me C.C. Even Maxwell was still calling Nanny Fine...


NILES SHOOTS HER A LOOK

C.C.

(OFF NILES' LOOK) Fran, well it took Maxwell six years to call her by her first name, you gotta give me time. (THEN) Do you think she'll sleep?

NILES

We'll, she's asleep currently. How long that will last, I have no idea.

C.C.

I don't know why human beings are born so helpless. It doesn't seem very efficient.

NILES

(CHUCKLING) Would you prefer to give birth to a one hundred pound teenager who can sleep through the night?

C.C.

One word, ouch!

NILES

Anyway my little...


DISSOLVE TO:




ACT 2

SCENE 2

INT: FRAN & MAX'S BEDROOM - CONTINUOUS

FRAN

(ON PHONE) I don't even know where that came from. All of a sudden Gracie became all defensive. I decided not to push, I mean, I'm not the meddling type. (BEAT) No, I couldn't find her diary, I think she changed her hiding spot.


MAXWELL ENTERS FROM BATHROOM, TOWELLING HIS HAIR

FRAN (CONT'D)

I'm gonna go Val, I'll talk to you later. ok bye.


FRAN STRIKES A SEDUCTIVE POSE ON THE BED

FRAN (CONT'D)

(FLIRTATIOUS) Hi Hubby.

MAXWELL

What happened with Grace at school?

FRAN

(SURPRISED) You heard me on the phone?


MAXWELL NODS

FRAN (CONT'D)

From the shower?

MAXWELL


Darling, your voice does tend to carry.

FRAN

Well, when I went to go pick up Gracie at school today her drama teacher mistook me for her mother.

MAXWELL

So?

FRAN

Yeah, I didn't think it was a big deal either, until Grace got defensive about it and felt the need to tell her teacher I was her stepmother.

MAXWELL

That's odd, Grace adores you. Maybe she's just going through a phase.

FRAN

Maybe...


MAXWELL STEPS CLOSER TO FRAN AND BEGINS KISSING HER NECK. FRAN SEEMS DISTANT, STARING OFF INTO SPACE THINKING. AFTER A FEW MOMENTS OF NOT RESPONDING MAXWELL STOPS.

MAXWELL

We're not letting this go are we?


FRAN SHAKES HER HEAD NO

MAXWELL (CONT"D)

We're going to go in there right now and confront her about it?


FRAN SHAKES HER HEAD YES AS SHE TAKES MAXWELL'S HAND AND DRAGS HIM OFF IN THE DIRECTION OF GRACE'S ROOM.

DISSOLVE TO:




ACT 2

SCENE 3

INT- GRACE'S BEDROOM - CONTINUOUS

(Fran, Grace, Maxwell)

FRAN

(KNOCKING ON THE DOOR) Gracie sweetie, are you still up?

GRACE

(MEEKLY) Yeah


FRAN AND MAXWELL ENTER GRACE'S BEDROOM

FRAN

Sweetie, we need to talk about what happened today at school...

GRACE

I would but um, (YAWN) I'm really sleepy and...


SFX: GLASS CRASHING DOWNSTAIRS

GRACE (CONT'D)

What was that?

FRAN

Grace, remember who taught you that trick...


SFX: STUFF FALLING ON THE FLOOR DOWNSTAIRS

MAXWELL

Wait (HOLDS UP HIS HAND) I heard it too. Grace, Fran, you stay here.


MAXWELL EXITS AND SLOWLY CREEPS DOWN TOWARDS THE SOURCE OF THE NOISE. FRAN WAITS A MOMENT BEFORE CREEPING BEHIND HIM. THE FLOORBOARDS CREEK AND MAXWELL JUMPS AROUND.

MAXWELL (CONT'D)

Don't do that, you scared me half to death.(THEN) Go back to Grace's room.


FRAN AND MAXWELL CONTINUE DOWN THE STAIRS TOWARDS THE KITCHEN.

MAXWELL (CONT'D)

I mean it Fran, I don't want you to get hurt.

FRAN

Honey, the macho routine is very sexy and all (BEAT) but I'm going with you downstairs.


FRAN AND MAXWELL CREEP TOWARDS THE KITCHEN, THE APPARENT SOURCE OF THE NOISE. MAXWELL PUTS HIS HAND TO HIS MOUTH TO MOTION FOR SILENCE.

MAXWELL

(WHISPERING) I need something I can use as a weapon.


FRAN LOOKS AROUND AND THEN LEANS OVER TO TAKE OFF HER HEELED SLIPPER PUMP, COMPLETE WITH LIGHT BLUE FLUFF TO MATCH HER ROBE. SHE HANDS THE SLIPPER TO MAXWELL WHO IS ABOUT TO PEER INTO THE KITCHEN DOOR. NOT LOOKING HE GRABS THE "WEAPON" AND CHARGES INTO THE KITCHEN WITH FRAN IN TOW.

MAXWELL

Don't move!! I have a (LOOKS AT THE SLIPPER) um, and I'm not afraid to (THEN) Niles?


THEY HAVE WALKED IN TO FIND NILES ON HIS KNEES SWEEPING UP A BROKEN COFFEE MUG.

NILES

Sorry, I didn't mean to wake you.

FRAN

(RE: BROKEN GLASS) What happened?

NILES

(FLUSTERED) Well I was going to get a cup for some tea and then I knocked it on the floor. I went to get the broom from the closet and well that fell too.


FRAN HEADS TOWARDS THE FREEZER AND TAKES OUT A PINT OF ICE CREAM. GRABBING THREE SPOONS SHE SITS DOWN AT THE TABLE.

FRAN

OK, what's wrong?

NILES

Nothing, I just wanted some tea.


FRAN SHOOTS HIM A LOOK

NILES

Really I (THEN) I saw Peter Franklin in the park today.

MAXWELL

Who? (GRABS A SPOON FROM FRAN'S HAND AND DIGS INTO THE CARTON) Wait, as in Broadway Producer Peter Franklin?

NILES

(SIGH) The very same.

MAXWELL

Well that's nice, did you say hello?

NILES

Well, actually he approached me. I was singing to Emily and...

FRAN

He asked you to stop because his ears were bleeding?


EVERYONE LOOKS AT FRAN

FRAN (CONT'D)

What, that never happened to you?

MAXWELL

Anyway, So what happened Niles?

NILES

He offered me a part in a play.

FRAN

That's great!

NILES

In New York.

FRAN

Oy, that's not great?

MAXWELL

Did you talk to CC about this?

NILES

Well I started to, but then she was just so exhausted (GRABS SPOON FROM FRAN AND PLOPS INTO A CHAIR THEN) Well, it doesn't matter anyway, because I turned down his offer. I've got a life here, you guys are here, the show is here, I've finally got those bratty kids at the A&P to show me some respect...

FRAN

So then if you are so okay with all this, why are you ransacking our kitchen in the middle of the night to get tea when you have a perfectly good kettle in your own house?

NILES

Um, I plead the fifth?

FRAN

You could plead the tenth if you wanted to...

MAXWELL

Okay okay, it's late. Niles, help yourself to whatever tea you want, we're going to bed.

FRAN

But Max...

MAX

(POINTING TO THE DOOR) Bed!

FRAN

Oooh, I love it when you order me around. (SKIPS OUT THE DOOR)


FADE OUT.




ACT 2

SCENE 4

INT: The Fairwood Manor Active Senior Living Complex -the next morning

FRAN AND SYLVIA ARE LOUNGING AROUND THE COMMON AREA OF THE HOME. THERE ARE ELDERLY PEOPLE AND THEIR VISITORS ALL AROUND: PLAYING CHESS, EATING, TALKING, ETC. YETTA IS SITTING ACROSS FROM THEM WITH JONAH IN HER LAP TALKING TO HIM SOFTLY. EVE IS IN SYLVIA'S LAP AS SHE PLAYS PEEK-A-BOO.

SYLVIA

(COVERING HER EYES) Where's Evie? Where's Evie?


EVE GURGLES IN DELIGHT AS SHE TAKES SYLVIA'S TEMPORARY BLINDESS AS AN OPPORTUNITY TO GRAB AT THE SHINY CANDY BAR STICKING OUT OF HER POCKET.

FRAN

Don't let Eve have that Ma, that's one habit I'll be glad to avoid.


SYLVIA GRABS THE CANDY BAR OUT OF EVE'S HANDS AND REPLACES IT WITH A SET OF BABY KEYS FRAN HAS HANDED TO HER.

SYLVIA

I wasn't gonna let her have it, I know that would be wrong (BEAT) I mean, she's my granddaughter and I love her to death (THEN) But this is Hershey.

FRAN

So Ma, I don't know what to do about Grace. She comes home from school and avoids me completely. Every time I try to ask her about what happened at school she changes the subject.

SYLVIA

I don't know what to tell you dear, what did you do when Maggie or Brighton got like this.

FRAN

That's just it Ma, they didn't. Grace has always been so different from them. Maggie was fine once I got her on the right track. I mean, she was an empty slate. Brighton just needed a steady female figure that didn't leave him and would stand up to all his mishigas. But Grace (BEAT) Grace is so chockfull of complications I don't even know where to begin sometimes.

SYLVIA

Sweetheart, all you can do is love her and hope it will turn out okay in the end. She'll talk to you when she's ready.

FRAN

What did you do when me or Nay didn't talk to you to get your mind off it?

SYLVIA

I watched Soaps. Great way to get your mind off what's troubling you. Why do you think we got that second TV when you started High School?

YETTA

(TO JONAH) Say inebriated, say inebriated!

SYLVIA

Ma, why are you trying to teach him that word.

YETTA

We have a pool going over who can make one of our grandkids say that.

FRAN

(Taking Jonah from Yetta) YETTA!

YETTA

What, it could be worse. The other word was..."


YETTA MOTIONS TO FRAN TO LEAN OVER AS SHE WHISPERS THE WORD IN HER EAR . FRAN'S FACE TURNS BRIGHT RED.

FRAN

Yetta! I wouldn't even want my oldest child saying that

Yetta

(DEAD PAN) What word?


FADE OUT



ACT 2

SCENE 5

INT- SHEFFIELD LIVINGROOM - LATE AFTERNOON, A FEW DAYS LATER

GRACE RUNS IN THROUGH THE FRONT DOOR

FRAN, HEARING THE FRONT DOOR OPEN GOES TO GREET GRACE WHO IN HER EXCITEMENT RUNS RIGHT INTO FRAN.

GRACE

FRAN! GUESS WHAT GUESS WHAT??

FRAN

Calm down sweetie, what is it?

GRACE

Well (BEAT) Wait, where's Dad?


MAXWELL WALKS IN FROM THE OFFICE, NEWSPAPER IN HAND

GRACE

I got the part, I got the part!

MAXWELL

That's great Grace! I'm so proud of you (THEY HUG)

FRAN

That's wonderful, but Sweetie, what part?

GRACE

Adelaide, in our Guys & Dolls tribute

FRAN

You mean the one with the voice?

GRACE

Yes! Mr. Posner said I did the best nasal whine of anyone!

FRAN

Wonder where you picked that up.


THERE IS A LONG PAUSE

GRACE

Well, I'm gonna...um...go play with the twins.

FRAN

Hold it right there. Grace, I'm very proud of you getting this part, but that doesn't explain you avoiding me for the past few days.

MAXWELL

That's right, I think you owe Fran some sort of explanation.


THEY ALL MOVE INTO THE LIVINGROOM, WHERE THE TWINS ARE GURGLING HAPPILY IN THE PLAYPEN.

FRAN

If you're embarrassed about having me as your mother (VOICE SQUEAKS WITH EMOTION) you should have told me. There was no need to embarrass me in front of your drama teacher.

GRACE

It's not that.

MAXWELL

Then explain Grace.

GRACE

I love you Fran, with all my heart. I couldn't think of a better person to be my mother. But, you aren't my mother. (TURNS TO MAXWELL) I was so little when Mom died, and memories disappear more each day. I feel like all I have left of her is a faded picture and the word, "mom."

FRAN

(UNDERSTANDING) And calling me mom, or anyone else calling me mom takes that away....

GRACE

Exactly. I never had to deal with that before because back in New York everyone knew Fran wasn't my mom. Now...I'm so sorry Fran.

FRAN

(EMBRACING GRACE) I love you with all my heart, no matter what label you put on me. Tell ya what, why don't I just be your youthful-I'm-too-young-to-be-a-fifteen-year-olds-mother step mother. You'll have your memories, I'll have my youth, and your father will be known as a cradle robber (FLASHES A BIG GRIN) See, everyone's happy.

GRACE

I love you Fran (THEY HUG) I'm gonna go call Maggie and tell her about my part.

MAXWELL

Okay honey, and tell your sister I'll call her tonight.


GRACE TROTS OUT OF THE ROOM SINGING

GRACE

(SINGING) A person, could develop a cold...

MAXWELL

She is something isn't she (BEAT) You're sure you're okay with this?

FRAN

Hey, how many kids do we have?

MAXWELL

Five

FRAN

How many labours did I have to go through?

MAXWELL

One

FRAN

(GRIN) Then I'd say I'm the happiest woman alive.

MAXWELL

What would I ever do without you?

FRAN

Well for one, you'd still have the left side of the bed.


THEY KISS

FADE OUT




TAG SCENE

FADE IN:

INT: SHEFFIELD DINING ROOM- BREAKFAST TIME

(Fran, Maxwell, Niles, Grace, Jonah, Eve, Emily)

EVERYONE IS SITTING AROUND THE TABLE EATING BREAKFAST. THE TWINS ARE SEATED AT HIGHCHAIRS BETWEEN FRAN AND MAX DEEPLY ENGROSSED IN THEIR CHERRIOS. A BASSINET IS SET UP BETWEEN NILES AND C.C. WHERE EMILY IS SLEEPING SOUNDLY. GRACE IS DEEPLY ENGROSSED IN A BOOK CALLED "THE EXISTENTIAL BEING AND IT'S FAILED THEORIES." EVERYONE IS ENJOYING PANCAKES SAVE FOR MAXWELL WHO IS EATING HIS HABITUAL BOILED EGGS AND TOAST STRIPS.

FRAN

Grace, when will you be home?

GRACE

(ENGROSSED IN HER PHILOSOPHY BOOK) When is such a subjective question Fran.

MAXWELL

Grace, it isn't nice to read at the table. (THEN) Niles, where's my paper?


NILES HANDS MAXWELL THE NEW YORK TIMES. MAXWELL OPENS A FEW PAGES TO THE ARTS SECTION.

MAXWELL

Oooh, the Broadway failures made front page of the Arts & Leisure section this year. Boy, I don't miss that. (THEN) Hey, Franklin's new play closed. Well gee, that's too bad. Hey Niles, I guess you..


NILES SHOOTS HIM A "SHUT-UP-SHUT-UP-SHUT-UP" LOOK

MAXWELL (CONT'D)

Um, uh, I guess you....didn't read the paper yet today.

FRAN

(GIGGLING ASIDE TO GRACE) Nice save.

MAXWELL

Well anyway, lets see who else got the...(JUMPING UP FROM HIS SEAT) OH DEAR GOD IN HEAVEN!!

FRAN

What? what?


MAXWELL BEGINS PACING BACK AND FORTH MUMBLING TO HIMSELF WHILE READING THE ARTICLE.

C.C.

Maxwell geez, you're giving me a headache and if you wake the baby I'm gonna....

MAXWELL

(READING ARTICLE HEADLINE) 'Howls of Sadness as 'Cats' Uses It's Last Life'

C.C.

(JUMPS UP AND GRABS THE PAPER FROM MAXWELL) NO WAY!!!


SFX: BABY CRYING

C.C.

Aw Jesus!


C.C. PICKS UP EMILY, KISSES HER ON THE TOP OF HER HEAD AND HANDS HER TO NILES WHO ROCKS HER. THEN SHE STRAIGHTENS OUT THE PAPER AND READS THE ARTICLE OUTLOUD.

C.C. (CONT'D)

"Cats" has used up it's nine lives. The smash musical, which is Broadway's longest running production ever, is set to close its doors after nearly 18 years and $385 million in ticket sales.

MAXWELL

Yes, yes, get to the good part.

C.C.

Oh, let's see. (SKIMMING DOWN THE PAGE) Ninety two billion worldwide yadda yadda yadda Seven Tony awards blah blah blah. Here it is, The Andrew Lloyd Webber hit will go dark at the Winter Garden Theatre on June 25th , after an astounding 7, 397 performances, officials for the show confirmed.


MAXWELL AND C.C. STOP AND SIGH, REFLECTING ON THE NEWS, THEN


MAXWELL

YES!

C.C.

YES!


GRACE

(COMING UP FROM HER BOOK AGAIN) You know Daddy, you really shouldn't judge yourself based on others. You'll develop a performance co-dependency.

FRAN

Uh yeah, what she said. Besides honey, (TAKING A BITE) you're a big macah TV producer now.


MAXWELL'S AND CC'S FACES BOTH FALL.

MAXWELL

Yes, well, (THEN) That's right! But it's still nice to gloat. (THEN) Come on Grace, if you want I can drop you off at school on my way to work.

GRACE

Sure Daddy, lemme just run upstairs and grab my things.


GRACE EXITS. EVERYONE IS PAUSED, EACH THINKING ABOUT WHAT HAS JUST BEEN SAID.

C.C.

(TAKING EMILY, WHO HAS QUIETED DOWN, FROM NILES) I'm gonna go call a few choice people in New York and rub the news in.

FRAN

Tell Mr. Webber's secretary I say hi.

MAXWELL

I'll go bring the car up front, tell Grace I'll meet her outside.

FRAN

I better get these monsters cleaned up. (GRABS THE TWINS AND DRAGS THEM UPSTAIRS)


NILES TAKES THE PAPER, WHICH HAS BEEN STREWN ON THE TABLE AND BEGINS TO READ OUTLOUD

NILES

Hirson's play , Wrong Mountain, can only be described as being before it's time. A witty script, it was first workshopped out west at the Conservatory. The plays fault seems to lie in it's casting. The producer, Peter Franklin of 'The Monster' fame, was quoted as saying 'if only we had found a better lead who could have carried the show past the critical eyes' (VOICE DRIFTS OFF)




The End


The 'Cats' review is copyrighted to The New York Times and can be found in full at http://members.aol.com/dreamkate1/cats.html

A special thanks to Nel for reminding me to "throw a wrench in it"

This episode is dedicated to Wrong Mountain, a fantastic play which was simply before it's time.



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7.28 The (Big) Top

by Julia

Life at the top - what would that be like? Combine a house full of kids, a wacky relative or two, a few loose screws and a sitcom on the edge, and it's the Big Top.




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