Liner Notes:
1985 marked the 20th anniversary of the Grateful Dead -
not that the band celebrated that sort of thing very much.
Rather, they began their third decade by introducing more
variety into their song selection, which lent renewed
vitality to the music. The Dead played 130 different songs
in 1985, more than in any prior year, including four new
songs, and four others resurrected after more than ten
years. For those of us who saw many shows that year the
added variety was welcome indeed, but a varied setlist alone
was no guarantee of a great concert. Fortunately Dick's
Picks Vol. 21 - Richmond Colisem 11/1/85 - had both an
uncommon song selection AND a superb performance.
This night was the sixth show of the fall tour, which had
begun in Florida and was cruising up the East Coast. Our
travel was hampered by an early winter storm, which kept us
cold and wet outside, but inside the Coliseum our spirits
were high in anticipation of the show. It was the first of
two nights in Richmond, following a Halloween show in South
Carolina, the first and only Grateful Dead concert in that
state. There were some really WEIRD moments in that
Halloween show, and I could feel that some of that energy
was still around in Richmond.
The concert began with the surprising combination of
"Dancing In The Streets" and "Cold Rain and Snow," two songs
which individually were often played to jump-start the first
set, but had only been played together once before - back
in1966! What a great start! Later I was really excited to
hear a truly wonderful version of "Jack Straw," especially
considering they chose to play it close to the end of the
set instead of its regular spot as the set opener.
The song selection got even more unusual in the second
set. After a rockin' version of "Samson and Delilah" that
got me dancing immediately, the tempo quickly shifted to a
very thoughtful and emotional reading of "High Time" from
Garcia, a song that never fails to bring back fond memories
of my earliest shows. Surprisingly, before Bob could get a
song started, Jerry began "He's Gone," which had some
beautiful harmonies and a moving, extended a cappella
ending. After excellent versions of "Spoonful" and "Comes A
Time," I was sure they were going to go into drums, but was
shocked when the band launched into a flawless version of
"Lost Sailor." The drums and space improvisations that
followed contained some very weird sounds similar to the
bizarre opening of the previous night's Halloween show. I
was surprised and thrilled to hear "Saint Of Circumstance"
evolve out of "Space" (I had forgotten about "Lost Sailor"),
and it turns out this was the only time that the
"Sailor/Saint" combination was ever played in a show split
by another song. Next came an intense version of "Gimme Some
Lovin'," a song that I saw when it was first played exactly
a year ago (11/2/84 in Berkeley), with Phil and Brent
sharing lead vocals. I though that Phil must have been
saving up his vocal energy just to let it rip on this one.
This set the stage for Jerry's heart-breakingly sweet "She
Belongs To Me" (performed only in 1985) that really moved
me, followed by Mr. Weir's piece de resistance, an
absolutely thrilling version of "Gloria" that just whipped
the crowd and the band into a frenzy. It was amazing the way
Bob kept stoping the song with "WAIT A MINUTE" and then
proceeded to crank it up a notch each time. I was screaming
along with everyone else. This one must be heard to be
believed! E-N-J-O-Y!!!
Stu Nixon
CAVEAT EMPTOR
DP 21 was mastered from the original digital tapes, our
earliest foray into the digital domain to date. The master
tapes are Beta PCM cassettes, with stereo digital audio
recorded on the video track. We've aimed to make this
release sound as good as possible, and we feel we've
succeeded. Hopefully you will agree. Enjoy.
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Credits:
Grateful Dead
Richmond Coliseum
Richmond VA 11/1/85
Jerry Garcia: Lead Guitar, Vocals
Mickey Hart: Drums
Bill Kreutzmann: Drums
Phil Lesh: Electric Bass, Vocals
Brent Mydland: Keyboards, Vocals
Bob Weir: Rhythm Guitar, Vocals
Live Recording: Dan Healy
Tape Archivists: Dick Latvala, David Lemieux
CD Mastering: Jeffrey Norman
Archival Research: Eileen Law/Grateful Dead Archives
Photography: Robert Minkin C2001
Cover Art and Design: Tina Carpenter
Cover Photos: David DeNoma
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